British literature from the Restoration period to early Romanticism explores the formation of gender and race through varying forms of text. The slave trade between Africa, Europe, and the Americas alone displays the mass mistreatment of the black race by white slave owners. Discrimination towards women is apparent in the patriarchal society as women are relegated to positions of inferiority and limited to work in the household. Many writers identify the divides based on these identifiers in their works and offer their criticisms on the injustices.
One of the earlier texts, Ooronoko by Aphra Behn, tells the narrative of an African man from his life as a high-status prince in Africa to a slave in the Americas. Behn characterizes Oroonoko as a well-educated man who can speak both English and French, “had nothing of barbarity in his nature,” and had a nose that was “rising and Roman, instead of African and flat.” He is well regarded by all, but through the lens that is he successful despite his race. Behn chooses to depict Oroonoko’s strength in terms of racist conceptions and European features. This whitening of Oroonoko may be in part to appeal to the white audience that is pro-slavery so that Behn can present her abolitionist, albeit limited, message. The extreme brutality that Oroonoko sees and experiences during the ultimate revolt illustrates the horror of slavery, a fact of which Behn’s audience may not have known the full extent. The mistreatment and killings would have revealed the true nature of slavery illuminating some abolitionist view.
Behn also comments on the role of women through the narrator’s telling of the story from the sidelines and the fate of the most prominent woman in the novel, Imoinda. The narrator reflects the role of women in society at large in that she tells the story of the leading man from the periphery, revealing some information in the first person on few occasions. Behn acknowledges the narrator in short phrases throughout the work, but the text reads like a third person narrative for long passages. On the other hand, Imoinda, Oroonoko’s love interest, is characterized in full detail, yet in the end, she is killed by Oroonoko out of mercy for her and her unborn child. Despite her willingness to fight against the slave owners exemplified by her hitting the English governor with a fatal blow, she too is killed at the end of the novel.
This subtle criticism with an appeal to a white audience is also seen in the poetry of Phyllis Wheatley. In “On Being Brought from Africa to America,” Wheatley reasserts herself as a Christian convert, denounces the oppression by white Americans and expresses that all people have the capacity to be redeemed. Wheatley writes that despite so many Africans having accepted the Christian faith “some view our sable race with scornful eye/ ‘Their color is a diabolic die,’” showing how unreasonable it is for this sort of discrimination to exist. As a whole, Wheatley’s poetry is in favor of America and having been brought to the country as a young child. Her work is a celebration of Christianity, with some criticism of black oppression in the States. Wheatley’s final message in this poem is: “Remember, Christians, Negroes, black as Cain,/ May be refin’d, and join th’angelic train.” This means that no matter the race, all people have the ability to convert and go to heaven.
In further works on gender and race, Mary Wollstonecraft’s “A Vindication of the Right of Man” (1790) stands a largely popular feminist critique of the society and the monarchy. In this political pamphlet written in response to a pro-monarchy pamphlet by Edmund Burke, Wollstonecraft argues that the inheritance and the subordination of women are among the most pressing issues in England. Wollstonecraft writes that “there are rights which men inherit at their birth… and that, in receiving these, not from their forefathers but, from God, prescription can never undermine natural rights,” meaning that their role as authorities is presented as divine and natural. Their role overrules all other rights. This not only suppresses women to a position of inferiority but also allows for the continuation of slavery. Wollstonecraft counters Burke’s argument for slavery, writing that “we are to submit to the inhuman custom, and term an atrocious insult to humanity the love of our country, and a proper submission to the laws by which our property is secured.” This is a result of “our ignorant forefathers, not understanding the native dignity of man” who have been and continue to rule over English society. Burke’s view only provides protections for the rich, property-owning men, while contentedly leaving the rest of society in poverty or slavery. Wollstonecraft argues against this single-minded complacency, showing that all aspects of society are affected by the treatment of women and slaves and thus must be considered with those criteria in place.
These writers are a sampling of the commentary on race and gender during this time period. Since these issues were contentious, the attention to an audience was key to making sure the argument made in the text is properly received. As a fictional work Oroonoko takes more figurative liberties in presenting some of the same abolitionist and feminist views that Wollstonecraft does in her essay in a narrative form. Wheatley’s poem “On Being Brought from Africa to America” also subversively calls for a just treatment of the black race. Though written in the late 17th and 18th centuries, these issues are still a major theme in literature. Similar injustices are apparent in our society today and have proven to still be relevant to modern discourse.


